Guitars

Mesa Boogie Mark Series

The ‘Mesa Boogie Mark Series is a series of Guitar amplifier drafted by Mesa Engineering. It was Mesa’s flagship yield until the introduction of the Rectifier series, and the amplifiers are very collectable.

The very first Mark I was drafted in 1969, past Smith, as a jest, corrected Barry Melton’s (Country Joe and the Fish) Fender Princeton amplifier. He extracted the yardstick 10 inch speaker and corrected the chassis to fit the enlarged transformers that were was deficient by the 4-10 tweed Fender Bassman, the circuit that he had supplemental into the 12 watt Princeton. Finally, mounting a 12 inch JBL D-120, a republican speaker of the time, Smith had written what would be the first Boogie. Randall Smith took the “hot-rodded” Princeton into the front store.

Coincidentally, Carlos Santana was prevailing and “wailed through that tiny amp until population were blocking the sidewalk.” Impressed, Santana articulated Smith, “Man, that tiny amp truly boogies!”, consequently delivering the existing call for the amplifier and the company. “Mark I” is the moniker given to the first Boogies ever drafted, even so they were not summoned “Mark I” until the Mark II came along. They were 100 or 60 watts combo amps with a 12-inch speaker, at the start Altec-Lansing 417-8H Series II.

The Mark I had couple channels: one bathe (voiced quite interchangeable to the original Fender) summoned “Input 2,” and one “high gain,” summoned “Input 1,” which effected the overdriven “Boogie lead” utterances adapted bulk notably by Carlos Santana on the “Abraxas” album, and later by The Rolling Stones, with Keith Richards and Ron Wood including the amps survive from 1977 until 1993 and in the studio on classic albums as Some Girls and Tattoo You.

This amp in its original variety is very collectable, but does not have footswitching capabilities–one plugs into one or the other input for the couple tones. Reverb was optional, and not prevailing on more early Boogies. Later, Mark I models were available with reverb and/or graphic EQ. Early models have “slave out” and “reverb” labeled on the behind with Dymo stick; they do not have any “pull lead” competency on the volume controls. Later models had “Pull Bright” and “Pull Boost” on the volume controls.

The front panel controls were Volume 1, Volume 2, Treble, Middle, Bass, and Master. These early models are rightly differing, since more of them were “custom” models, alone fitted out for various buyers. Mesa/Boogie has stated the original and the reissue have a “looser” lead utterances since the first couple preamp points in time eventuates in the past the tone controls. In the various later Mark II and III models, there is simply one gain point in time in the past the tone controls. This indication chain is an subject of numerous contest among Boogie owners. The Mark II introduced channel footswitching, and wasn’t referred to as the “Mark IIA” until the Mark IIB was issued.

It was also available as a chief, which could be hooked higher to a diagram of dissimilar speaker combinations, even so a 1×12 cabinet was typical. However, the reverb circuit is considered noisy and the Waxed Cotton Cordspy voice recorder footswitching drafted a popping utterances past used; both of these attributes were later transformed on the Mark IIC. The preamp gain on the Mark IIs eventuates later the tone controls and so, according to Mesa/Boogie, the IIA has a “tighter, more fled accent on sound” than the Mark I.

The IIA and IIB, and numerous late-model Mark I amps, adapted a silicon implement summoned “fetron” in place of one of the 12AX7 preamp tubes, and included a switch for configuring the amp for either fetron or 12AX7 operation. The intent for including a fetron was to appraise numerous of the difficulties joined with microphonic 12AX7 tubes in a high-gain situation; its exercise was later discontinued. The Mark III was launched by Mesa/Boogie in 1985.

 It introduced a third channel, a “crunch” rhythm utterances right in between the rhythm and lead channels. This amp has a many footswitch system: one footswitch replacements between the existing rhythm mode and the lead mode, and the other decides either the bathe rhythm mode or the crunch rhythm mode. The couple rhythm modes detail all of their controls, where the lead mode simply allocations the rhythm modes’ tone heap, featuring independent gain and master volume controls. The Mark III suspended demonstration in 1989.

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Randall Kirk Hammett Signature Series Kh15 Guitar Combo Amp Black $119.99 The Kirk Hammett Signature KH15 is a guitar practice amplifier that is both powerful and portable. The combo amp includes 2 channels: clean and overdrive, with a high-gain boost mode. Use this signature Kirk Hammet combo as a great practice amp or for shredding around your house.2 channels: Clean, Hammett Overdrive with Boost Bass, Middle, Treble tone controls Volume 15W RMS 6-1/2″ Randall Jaguar speaker Black cloth front Headphones jack Tape/CD inputs

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Randall Rt Series Rt503h 50W Tube Guitar Amp Head Black $699.99 The Randall RT503H tube amp head from the RT series is an extremely flexible, all-tube amplifier head offering a range of tones from clean Country and Jazz to full Metal and Shred. Each amp features black chrome steel grill and control panel, spring reverb, and an effects loop.In addition, the Randall tube amp head features a power tube bias section allowing you to bias the power tubes yourself, an easy and money-saving operation detailed in the instructions. This user-friendly bias section on the back allows the player to replace, bias & match the tubes themselves with just an inexpensive volt meter available at any electronics or home improvement store. The Randall RT503H amplifier head from the RT series uses 12AX7 preamp tubes and 6L6 power tubes that can be swapped out with EL34s for a more British vibe.The Randall RT503H amp head features three discrete channels. Channel 1 is a Classic Clean, which allows you to go from sparkling tone to highly overdriven force. Channel 2 is a Classic Overdrive, bringing your tone from mild grit to full saturation. Channel 3 is a Modern Overdrive, which brings out full high-gain sound. The EQ controls include bass, middle, treble, and a bright switch on the clean channel, so you can pinpoint your ideal individual amplified guitar voice. The master controls on the Randall RT503H amp head include volume and reverb, for that full sound and depth. Series EFX loop, switch for rack or pedal compatibility, and an included 3-mode footswitch round out the package.3 channels: 1-Classic Clean; 2-Classic Overdrive; 3-Modern OverdriveEQ controls: Bass, Middle, Treble, Bright switch on clean channelMaster controls: volume, reverbAll-tube power ampTubes: 2 x 6L6 (user-swappable for EL34s)

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Randall Mts Series Rm100mm 100W Tube Guitar Amp Head Black $1699.99 The Randall RM100MM tube amp head is both traditional and modern technology rolled into one amplifier. First, you have three independent modular channels that can be loaded with your choice and combination of the available tube preamp modules. Load each channel with a preamp tone that fits only your needs with the ability to expand your arsenal anytime a new tone is needed. Don’t purchase an amplifier because you like just the clean or hi-gain tone. Build this Randall MTS amp with your clean, your rhythm, and your hi-gain tone for a complete custom setup. With more than a dozen tube preamps always available, chances are you’ll have a hard time picking just three Randall MTS preamps. Change and bias your own power tubes Enjoy the ease of replacing your power tubes anytime you like with the Randall MTS RM100MM amp head’s very user-friendly power tube bias section, found on each MTS amplifier. If a tube fails, no problem, the Randall amp will kick that tube out of the circuit and a small LED will light by the tube that fails. Simply replace the small protection fuse and tube using a small voltage meter and screwdriver to adjust each individual bias point. If you like experimenting with different tube types, the Randall MTS amp head’s bias section allows you to pop-in and bias a new set of tubes in just a few minutes. MIDI channel switching capability Connect your Randall RM100MM amp head to any MIDI capable effects processor and program individual effects to each channel. With the MIDI in/thru jacks simply select your channel and external effect using the included RF3 MIDI footswitch, press and hold the channel switch button on the head for 2 seconds and hit the store button of the effects processor to save the preset. The included footswitch will then select both the Randall RM100MM amp head’s channel and effect you want at the same time. Randall Preamp Modules Included in the RM100MM Amp Head: SL+: Based on the preamp circuit of a hot rodded Marshall Super Lead. The classic Super Lead circuit adds more gain and punch. Covers any classic Zeppelin to modern Zakk tone. Plexi: Based on the preamp circuit of a classic Marshall Plexi. Anything from Page to Angus to Gibbons. The amp that defines the 70’s rock and punk tone. JTM: Based on the preamp circuit of a classic Marshall JTM45. It’s classic mid-gain tone with huge bottom end and smooth overdrive.3 Preamp Modules: SL+, Plexi, JTM 100 Watts 6L6 Power tubes MIDI in/thru Master Volume, Presence, Density controls Parallel loop with front panel mix control Series loop Rear tube bias section Slave out 3-button MIDI footswitch included World voltage AC input selector (100/120/220/240)

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Randall Nb King 112 Nuno Bettencourt Signature 30W 1X12 Tube Guitar Combo Amp Black $1299.99 The 30W Randall NB King 112 is an all-tube combo amplifier powered by 4 EL84 tubes. It uses the same 3-channel preamp found on the 100-watt Randall NB King head. The top facing gold control panel contains two full-featured channels, clean and overdrive. The third channel on Randall’s Nuno Bettencourt signature amp is a dedicated solo channel containing drive and volume controls. The 112 NB King combo has an oversized volume control and analog VU meter contribute to a vintage and boutique vibe. Two top-mounted carrying handles make transporting your Randall amplifier effortless. An effects loop and MIDI in/thru footswitch connections adds versatility. The front two-tone of the Randall NB King guitar amp grill cloth contains Nuno’s logo and is both surrounded and divided by classy white piping. The speaker cabinet houses a Celestion Greenback speaker.30 watts RMS Celestion Greenback Speaker MIDI in/thru Effects loop External speaker output

Used Randall Nb King 112 Nuno Bettencourt Signature 30W 1X12 Tube Guitar Combo Amp Black/Palomino $1130.99 The 30W Randall NB King 112 is an all-tube combo amplifier powered by 4 EL84 tubes. It uses the same 3-channel preamp found on the 100-watt Randall NB King head. The top facing gold control panel contains two full-featured channels, clean and overdrive. The third channel on Randall’s Nuno Bettencourt signature amp is a dedicated solo channel containing drive and volume controls. The 112 NB King combo has an oversized volume control and analog VU meter contribute to a vintage and boutique vibe. Two top-mounted carrying handles make transporting your Randall amplifier effortless. An effects loop and MIDI in/thru footswitch connections adds versatility. The front two-tone of the Randall NB King guitar amp grill cloth contains Nuno’s logo and is both surrounded and divided by classy white piping. The speaker cabinet houses a Celestion Greenback speaker.30 watts RMS Celestion Greenback Speaker MIDI in/thru Effects loop External speaker output

Randall Diavlo Series Rd50h 50W Tube Guitar Amp Head Black $499.99 Randall takes tube tone from mellow to blazin’ with the new Diavlo Series RD50H 50W tube guitar amplifier. Perfect for blues-based rock, hard rock, and metal, the RD50H head has Clean and Overdrive channels, a 3-band EQ with Presence control, spring reverb, effects loop, and much more. The Classic Clean channel is broad, with tones from sparkling to highly overdriven. The Modern Overdrive channel takes you into full-on high-gain territory, perfect for blistering leads or dominating rhythms. A global, tube-driven Boost function takes either channel to the max. The RD50H comes stock with 2 JJ El34 power amp tubes, but is also compatible with 6CA7, 6L6, 5881, 6550, KT88, KT77, and 6V6 tubes. Best of all, it’s fixed bias, so no setup is required when switching tube types.50W 5 – 12AX7 preamp tubes 2 – JJ EL34 power tubes Compatible with 6CA7, 6L6, 5881, 6550, KT88, KT77, and 6V6 power tubes Fixed bias so no setup is required when changing power tubes Classic Clean and Modern Overdrive channels Global Boost function 3-band EQ Presence control Spring reverb Series effects loop Optional RF2T2C footswitch for channel switching and boost

Randall MTS Series RM100MF 100W Tube Guitar Amp Head Black $1699.99 Randall MTS Series RM100MF 100W Tube Guitar Amp Head Black

Randall Amplifiers $45.36 Used – High Quality Content by WIKIPEDIA articles! Randall Amplifiers is a manufacturer of guitar amplifiers, a subsidiary of U.S. Music Corporation. Its products are/were used by artists such as Chuck Schuldiner, Dimebag Darrell, Metallica, King’s X, Nirvana, and Anthrax. Randall makes both solid state and tube amplifiers. The Randall Amplifer Company was founded in 1970 by Don Randall, a life long radio and audio amplifier enthusiast. Randall began working as a salesman for a radio supply shop

Randall Amplifiers $54 Used – High Quality Content by WIKIPEDIA articles! Randall Amplifiers is a manufacturer of guitar amplifiers, a subsidiary of U.S. Music Corporation. Its products are/were used by artists such as Chuck Schuldiner, Dimebag Darrell, Metallica, King’s X, Nirvana, and Anthrax. Randall makes both solid state and tube amplifiers. The Randall Amplifer Company was founded in 1970 by Don Randall, a life long radio and audio amplifier enthusiast. Randall began working as a salesman for a radio supply shop

Randall Amplifiers $31.33 Used – High Quality Content by WIKIPEDIA articles! Randall Amplifiers is a manufacturer of guitar amplifiers, a subsidiary of U.S. Music Corporation. Its products are/were used by artists such as Chuck Schuldiner, Dimebag Darrell, Metallica, King’s X, Nirvana, and Anthrax. Randall makes both solid state and tube amplifiers. The Randall Amplifer Company was founded in 1970 by Don Randall, a life long radio and audio amplifier enthusiast. Randall began working as a salesman for a radio supply shop

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